One Foot N Da Rave N Meltin Yo Face

from Fuck Yo Scene by Heroin Black

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about

It's about taking research chemicals hallucinating in a club... Dr. Alex Shulgin was the Jesus of the 1900s and you know it!

lyrics

Fuck what ya heard, fuck what you on
To the dome I bop a molly with every shotty of patron
I can find my keys, I dun broke my phone
But I aint goin home till I feel the Nbome

I lost my mind in the club, found a bitch named molly
She got an ass full of sass to feed my head with her folly
One leg on the dance floor, them entactogens gotcha
Now we're still bumpin more, so god bless dr. sasha!
I locked lips with Lucy now she meltin my face
So, I'm flipping my candy all up in this place
Psychotically saccharine we all need a taste
So I'm droppin these doses and licking up bass
Laughin with Lucy and 2 c I rise
As I'm glowing I'm rolling and savoring highs
Bliss in my souls, dinner plates in my eyes
Then my homeboys came through with some 25i
FYI I'm fried so dont be surprised
Ima rail some more kitty then probably die
Methoxy she's foxy I'm not gonna lie
I'm trippin theres diamonds all up in my sky
Hand me a spade cuz Im diggin a rave
Chemicals always know how to behave
Whippits Im puffin and lovin the lights
We're all druggernauts here so nobody fights
Huffin and tuttin I'm in it tonight
If clubbin is wrong then there aint nothin right
If you wanna step I got a dose for your dub
So we can hallucinate up in the club

Fuck what ya heard, fuck what you on
To the dome I bop a molly with every shotty of patron
I can find my keys, I dun broke my phone
But I aint goin home till I feel the Nbome

credits

from Fuck Yo Scene, released December 16, 2013

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about

HEROIN BLACK / MURDERTHEPOLICE Chicago, Illinois

In the summer of 2007, HeroinBlack, debuted in its very original form. In true DIY fashion, he began to compose epic and dissonant symphonies to accompany words that conveyed an utmost message of individualism, tolerance, and militant autonomy. The antithesis of the modern music movements, HeroinBlack is happy to appear live at any space that can handle the intensity of his performances. ... more

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